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Asian Wedding Cinematic videography by Peter Lane Creative Studio

As you know photographers and videographers are cats and dog, everyone fights for the best shot, vantage point, etc. We solve the problem by organizing everything in-house, so you’ll get same style photography and video. We know how to compliment each other and we deliver more than you can expect. Please take a look at our dedicate videography page for more videos, info and pricing.

An amazing muslim Indian Wedding at Bolton Excellency Centre – Greek wedding at Le Meridian,New York

An amazing Turkish – Sikh Indian Wedding at The Decorium, New York

Your Asian Wedding Photographer and Cinematic videographer in NY and the rest of USA

Hello, my name is Peter Lane and I’ve been tagged by many in New York as The Asian Wedding Photographer, The Indian Wedding photographer or The Muslim wedding photographer. Being based in New York surrounded by many Asian friends, having their love, trust and recommendations our popularity into the Asian community multiplies with every single month. The aftermath shows more than 50% of our weddings to be Indian, Pakistani, Chinese or Muslim Asian weddings. My videography and photography teams and myself personally really enjoy covering Asian weddings.

No matter how big or small, how posh or simple your wedding is, I can promise you one thing – we’ll make it look glorious! Your album won’t be the conveyer type you’ve seen everywhere, you won’t be put in all the same cheese poses, no patterns and look-a-likes. We’ll extract the essence of the day and the best of you, then it will be multiplied and glorified so you’ll have that fashion look and a feeling of a living memento. Your album will be edited by experienced and educated designer, retouched by experienced professional retoucher and bind & assembled craftily hand made by the best in the world album masters. Only the highest quality paper, ink and materials will be used, providing the highest album longevity on the market. Your grand children will see exactly what you see now.

We don’t charge for extra time our Asian Wedding couples because we understand and respect your expenses, usually double and triple than majority of the traditional English weddings. Your day will be covered from the grooms house up to the last important event.

We are excited to hear your story! Excited to meet you and discuss in details.

Many people asked me about the difference between Hindu and Muslim Asian weddings and I decided to use that wedding as and example of a Muslim Pakistani wedding and same time to compare the customs and traditions to the Hindu Indian weddings.

Muslim Pakistani wedding – explained by Asian wedding photographer New York – Peter Lane

Pakistani Wedding Customs:

A Pakistani wedding, like others is a ceremony to celebrate the wedlock of a bride and a groom. It brings closer the families of a bride and a groom. A wedding ceremony has great importance in different cultures of the world. Different cultures have different ways of wedding celebrations and have different wedding traditions. Pakistan has a great culture with rich customs. A Pakistani wedding is a great feast of fun, wearing fancy clothing, merriments, and celebrations. It is celebrated with great fervor. A Pakistani wedding is followed by several pre-wedding customs and rituals. Men and Women wear Pakistani Clothing of various styles and fashions. It is important to note that some of the customs followed in Pakistani weddings have no foundation in Islam. However, the Pakistani culture has adopted those ceremonies and traditions from the Hindu culture.

Mangni: is the engagement ceremony that marks the formal engagement of couple. The small ceremony takes place in the presence of a few important members of would-be bride & groom’s family. Prayer and blessings for the couple are recited and the wedding date is decided in Mangni.

Mayun: is custom of the bride entering into the state of seclusion eight to fifteen days before the wedding. She’s made free of all the chores and errands around the house. The bride and groom are not allowed to see each other after the Mayun; bride is not allowed to leave her house. The beautification rituals begin during this time.

Uptan: is a paste made from turmeric, sandalwood powder, herbs and aromatic oils, which groom’s mother brings for bride. She blesses bride and applies “uptan’ to the bride’s hands and face. Groom’s sister also does the same, and a thick string called a “gana” is tied to the bride’s arm. “Uptan” is applied to the bride’s skin each day leading up to the wedding. Similar ceremony is held for the groom, where bride’s mother, sisters, cousins and friends bring “uptan” for groom and rub it on his skin.

Dolki: is a popular ceremony of singing traditional wedding & popular songs accompanied by two or three percussion instruments Dolki being the main. The girl is officially treated as bride (dulhan). She wears traditional Pakistani yellow outfit. Her brothers, sisters, and cousins bring her (bride) in the dholki party.

Rasm E Mehndi (Henna Party): takes place a day before the wedding. It’s a ceremony mainly of women. They apply Mehndi (Henna) to the bride’s hands and feet, sing, dance, and bless the bride. Sadka (warding off evil through charity) is performed on the bride i.e. donating money circling three times on the bride’s head. Traditionally mehndi was brought by groom’s parents. Mehndi (Henna) is applied in beautiful floral designs and sometimes groom’s name is written in designs. After the ceremony dinner is organized for the guests. Traditionally, the bride is not allowed to take part in the celebrations and keeps her face hidden in veil. Rasm E Mehndi is organized for grooms also in some parts of Pakistan.

Baraat: is procession of family, relatives, and friends of groom that accompany the groom to bride’s home for official wedding ceremony. Groom makes his way to the bride’s home on a richly decked horse or in a car and “baraat” follows in different vehicles. Groom is given warm welcome by the bride’s family with flower garlands and rose petals. Family and relatives of the groom and the bride exchange glasses of juice or sherbet along with money. Guests are welcomed by the bride’s sisters by playfully hitting them with a stick wrapped and decorated with flowers.

Nikah is purely Islamic official wedding ceremony that usually takes place at the bride’s home. Nikah is attended by close family members, relatives, and friends of groom and bride. Usually, the men and women are made to sit separately, in different rooms, or have a purdah, or curtain, separating them.

Nikah-naama: (document of marriage contract) is registered in Nikah. The Nikahnaama contains several terms and conditions that are to be respected by both parties (bride & groom). It includes bride’s right to divorce her husband. Nikahnaama specifies “Meher,” the monetary amount the groom will give the bride. Meher includes two amounts; one that is due before the marriage is consummated and the other that is a deferred amount given to the bride at a time to be determined. The Meher guarantees the bride’s freedom within the marriage, and acts as the bride’s safety net. The fathers of groom and bride (Walis) act as witnesses to the wedding. If father is not available, the senior male, brother or uncle performs the ceremony. Islamic Imam (called maulana or maulvi in Urdu) reads selected verses from the Quran and waits for the Ijab-e-Qubul (proposal and acceptance) of wedding. Usually, the groom’s side makes proposal and the bride’s side conveys her assent. Maulvi and witnesses (gavah) take the Nikahnaama to the bride and read it aloud to her. She accepts the Nikahnaama saying ‘qabool kiya,’ meaning ‘I accept and signs it. The Nikahnaama is then taken to the groom and read aloud to him. He accepts saying ‘qabool kiya and signs the document. The Maulvi and witnesses (gavah) also do sign the Nikahnaama contract and the wedding becomes legal. The Maulvi recites the Fatihah, the first chapter of the Quran, and various durud, or blessings to mark the closing of Nikah ceremony.

After the wedding is legally announced, dishes of dates and misri (unrefined sugar) are served to the groom’s family. Groom is then escorted to his bride where he’s allowed to site beside his wife. This is the time when sisters-in-law of groom play pranks and tease the groom.

Mooh Dikhai: is the ceremony of first time “showing of the face” after the Nikah. The couple is made to see each other in the mirror and the bride unveils her face that she keeps hidden during the Nikah. The custom of Mooh Dikhai is also called “Aarsi Musshaf.” The bride and groom share a piece of sweet fruit, such as a date and family and friends congratulate the couple and offer gifts. Dinner is served to the guests. The sisters, friends, and female cousins of bride take this opportunity to steal the groom’s shoes and demand a sum of money for shoes. This is very popular custom and groom usually carries a lot of cash, due to the popularity of this custom. He pays money to get back his shoes and girls divide the money among themselves.

Ruksati: is the ceremony to bid farewell to the bride before her departure to the groom’s house. She says goodbye to her parents, close friends and family. The Quran is held over her head as a blessing. It’s a pretty touching moment. Although this practice is un-Islamic but a lot of Pakistani families have come to adopt it.

Several traditional games are played at groom’s house. A tray full of a mixture of water and milk is placed before the couple and a ring is thrown into the mixture and husband and wife are asked to find the ring. The one who finds the ring is considered winner and dominant partner in the relationship. The couple is asked to untie the “ganas” (thick strings) that were tied on their writs before wedding. The one who unties it first is considered the dominant partner in the relationship. Bride eats kheer (sweet, pudding-type desert) out of the groom’s hand. This customs are designed to make the couple more intimate before the physical relationship. Groom washes the feet of the bride in a basin of water that is sprinkled into the four corners of the house. It’s believed that this brings wealth, prosperity and luck into the home.

Chauthi: is the custom of bringing the bride back to her parents’ home the next day, or on the fourth day after the wedding (depending on family tradition). Usually bride’s brothers perform the Chauthi and goes to fetch their sister home.

Walima: is ceremony to announce the wedding to community and friends. It’s a grand reception hosted by the groom’s parents. Relatives, friends and community people are invited to the reception and wedding is celebrated with great fun and festivities.

Hindu Indian wedding – explained by Asian wedding photographer in New York – Peter Lane

Marriage in the Hindu religion is the 13th of the 16 ceremonies in a person’s life. It is a sacrament and as such is solemnised in accordance with the VEDAS, the holy scriptures of the Hindu religion that date back several thousand years. Hindu Ceremonies seem to last for hours, days or even weeks. Although the wedding itself is held on one day, there are a number of ceremonies that are usually held on separate days preceding the wedding:

Engagement (‘Misri’, the Ring Ceremony): – this event is held to exchange the gold wedding rings. The couple welcome each other with garlands and sweets are exchanged between the two families. The engagement is often completed a dinner party for friends and relatives. Among Gujarati families the bride’s family presents the ‘Matli’, which consists of significant quantities savoury snacks and Indian sweets, to the groom’s.

Mehndi Party: – This is a festive occasion celebrated by the bride’s family. The bride and close female members of her family have henna painted on their hands and feet while the rest of the family celebrate with songs. Mehndi signifies the strength of love in a marriage so brides try to leave it on as long as possible! Mehndi parties are often held at home and end with dinner for the family and friends.

Raas Garba (Sangeet Party): – In many families, the Sangeet Party is a much larger affair held as a separate joint event for both families. It is an opportunity to sing songs, eat, drink and dance the night away. Among Gujaratis, Raas Garba is a favoured alternative. These are held in a hall and involve traditional dance (Garba), and dandia raas (dancing with sticks). The Raas Garba usually ends with a light supper for all those attending.

Ghari Puja: – This is a religious ceremony performed on the eve of the wedding day in the respective homes of the couple. The priest performs prayers with rice, coconut, wheat grains, oil, betel nuts and turmeric. During this event, the mother and close female relatives dress up in their finery. They carry earthenware pots of water on their head and plant a small stalk in their garden in celebration of the marriage. Nowadays, the Ghari Puja is often combined with the cleansing ceremony (Pithi) during which the bride and bridegroom are pasted with turmeric powder in a beautification process.

Outfits & Jewellery: – The bridal outfit consists of a red and white sari heavily embroidered with gold thread. The white signifies purity and the red signifies fertility. It is customary for the bridegroom’s family to gift the bride a wedding sari, so she may actually end up wearing two saris! The first, a simpler silk sari given to her by her maternal uncle (mama), and covering her head, a heavier embroidered sari given to her by her husband’s family. The groom also wears white (ivory or beige). His outfit can be a traditional Sherwani (long tunic embroidered with gold thread) worn with Kurta pyjamas, or a simpler dhoti and tunic. Both families use the occasion to wear their finery and much of their traditionally ornate gold jewellery. This is not custom, so much as fashion!

The Hindu Indian Wedding Ceremony – explained in details by my Indian guru friend.

The wedding day usually commences with a fast for both the bride and groom. The groom will leave his house accompanied by his best man and one of his younger female relatives whose job it is to keep the groom awake by shaking a metal pot filled with a few coins and a betel nut over his head. The history behind this curious custom is that weddings in India were traditionally held in the evening at which time many a groom might succumb to slumber! On leaving his house, the groom’s car may be impeded by the younger female members of his family who demand a “gift” in exchange for allowing him to leave for his wedding ceremony.
The majority of the wedding ceremony will take place in a Mandap (the four-pole canopy at centre stage). The sacred fire in the Mandap symbolises not only the illumination of the mind, knowledge and happiness but is also a clean and pure witness to the ceremony as it progresses. The ceremony itself is a collection of rituals performed by the bride, bridegroom and their respective parents and close relatives. The priest chants “mantras” from the Vedas that were originally written in Sanskrit. He will also use the following in his ceremonies:

  • Fresh flowers – to signify beauty;
  • Coconut – to signify fertility;
  • Rice, jaggery and other grains – to signify the food necessary for sustenance of human life;
  • Ghee (purified butter) – to feed the sacred fire;
  • Kumkum (vermilion) – red powder used for marking the forehead to signify good luck and to say that your soul (husband) is with you.

The major stages of the Hindu Ceremony:

Ganesh Puja: – The wedding day starts with a prayer invoking Lord Ganesh whose divine grace dispel all evils and promotes a successful and peaceful completion of the ceremony.

Grah Shanti: (Worship to the Nine Planets) – This is a prayer to the nine planets of our Solar system. Ancient Indian studies indicated that various celestial bodies have an influence on the destiny of every individual. The effect of the nine planets is meant to be the most profound. During this puja the Gods associated with these planets are asked to infuse courage, peace of mind and inner strength to the bride and groom to help them endure life’s sufferings.

The Welcome (Parchan): – The bride’s mother welcomes the bridegroom with a garland and she then escorts him to the mandap. The father of the bride washes the right foot of the bridegroom with milk and honey. At the end of the welcome, a white sheet is held to prevent this bridegroom seeing the arrival of the bride.

Arrival of the Bride: – The bride is escorted to the mandap by her maternal uncle (Mama), female cousins and friends. In some wedding ceremonies she may be carried in a small carriage to the mandap.

Kanyadaan (Entrusting of the Daughter): – Consent of the parents is obtained for the wedding to proceed. The bride’s parents give their daughter to the groom by putting the bride’s right hand into the groom’s right hand (Hastamelap, joining of hands) while reciting sacred verse. The curtain separating the bride and groom is then lowered and the couple exchange flower garlands. The elders of the house place an auspicious white cotton cord around the couple’s shoulder’s to protect them from the evil influences. This also symbolises the couple’s bond. The groom holds the bride’s hand and they both take vows to love cherish and protect each other throughout life.

Ganthibandhan (tying the knot): – The priest ties the wedding knot as a symbol of the permanent union between the bride and groom as husband and wife.

Agni Puja (evocation of the holy fire): – The priest sets up a small fire in a kund (cooper bowl). Agni (fire) is the mouth of Vishnu and symbolises the illumination of mind, knowledge and happiness. The remainder of the ceremony is conducted around the fire.

Shilarohana (stepping on the stone): – The bride places her right foot on a stone. The bridegroom tells her to be as firm as the stone in his house so that the can face their enemies and the difficulties of life together.

Laja homa (putting parched rice into the sacred fire): – Three obligations are offered to the sacred fire. The brother of the bride puts into the bride’s hand parched rice, half of which slips into the bridegroom’s hand. Mantras are chanted. The bride prays to Yama, the God of Death, that he grant long life, health, happiness and prosperity to the bridegroom.

Mangalfera (walking around the fire): – The couple walk around the sacred fire four times. Each time they stop to touch with their toe a stone in their path. This symbolises obstacles in life that they will overcome together. These four rounds stand for the four basic human goals:

  • Dharma – righteousness
  • Artha – monetary accomplishment
  • Kama – energy and passion in life
  • Moksha – liberation from everything in life.

The groom, signifying his contribution in helping the union to attain dharma, artha and kama, leads the first three rounds. The bride signifying their continual journey spiritual liberation leads the last round.

Saptapadi (seven steps): – The bride and groom take seven steps together around the fire. It is said in Hindu philosophy that if two people walk seven steps together then they will remain lifelong friends. They exchange sacred vows at the beginning of each encircling walk. At the end of each walk, the open palms of the bride are filled with puffed rice by her brother signifying wealth and prosperity. The seven steps and their promises are:

  • 1.Let us take the first step to provide for our household, keeping a pure diet and avoiding those things that might harm us.
  • 2. Let us take the second step to develop our physical, mental and spiritual powers.
  • 3. Let us take our third step to increase our wealth by righteous and proper means.
  • 4. Let us take out fourth step to acquire knowledge, happiness and harmony by mutual love, respect and trust.
  • 5. Let us take the fifth step so that we may be blessed with strong, virtuous and heroic children.
  • 6. Let us take the sixth step for self-restraint and longevity.
  • 7. Let us take the seventh step to be true companions and remain life-long partners by this wedlock.

Saubhagya Chinha (blessing the bride): – The bridegroom blesses the bride by putting kumkum or sindhur (vermilion powder) at the parting of her hair (or on her forehead) and by giving her a sacred necklace (Mangal Sutra). The Mangal Sutra represents the couple’s togetherness, love and sacred union.

Haridaya-Sparsha (touching of hearts): – The bride and bridegroom touch each other’s heart reciting promises to each other.

Chathurthi Karma: – The bride and groom feed each other four times for nourishment of the bone, muscle, skin and soul.

Aashirvaad (blessings): – The priest blesses the bride and groom. Flower petals and rice are given to the guests to shower them on the bride and groom with blessings. The wedding guests can then give their individuals blessings to the bride and groom and once completed, the marriage ceremony ends. Guests are invited to enjoy a sumptuous meal with the newlyweds.

Viddai (Bride’s departure): – The farewell to the bride by her family and friends is a very emotional episode. The bride is leaving her parents home to build a life with her husband and his family. She leaves with tears of joy and sorrow.

Pilucinchuanu: – Before the wedding car departs for the Hindu temple, the priest will place a coconut under the front wheel of the car and wait for it to be broken by the weight of the car. The historic significance of this is that in the old days the couple would use a horse drawn carriage and the breaking of the coconut ensured that the vehicle was roadworthy for the journey.

The pilucinchuanu concludes the entire ceremony.

A guid about the Indian Hindi weddings

Indian marriages are known for their opulent and vibrant look, but in reality there is much more than just the gloss and glamour in an Indian wedding ceremony. In fact, the Indian wedding ceremonies are the most ritualistic and serious affair than any other kind of marriage performed any where else in the world. Most of the religions in India regard marriage as more of a religious ritual than a social or legal affair like that in west. Indian weddings are a perfect blend of traditions, values and celebrations. In India, marriage is not simply regarded as an event, rather it is considered as a soulful affair of the merger of two souls. An Indian marriage is a symbol of purity, union of two different people, community and culture. Marriage is not for self-indulgence, but rather should be considered a lifelong social and spiritual responsibility. Married life is considered an opportunity for two people to grow from life partners into soul mates.

Most of the times, an Indian wedding is associated with the Hindu marriage ceremony but it would be surprising for you to know that apart from Hindu marriages, Indian wedding also canopies in itself seven other religion marriages namely Islam, Sikhism, Zoroastrianism, Jewish, Buddhism, Jain and Christianity. An Indian wedding may also vary in accordance with the region and community rituals and traditions. Though different kinds of Indian marriages may have different kinds of rituals and traditions, one thing that remains common in all of them is the beautiful display of love, concern, commitment, and emotion. Indian weddings can last for days and are rooted deeply in culture and heritage. Traditional Hindu wedding ceremonies are fantastic, elaborate affairs which can include hundreds of guests and go on for days or more. This article will outline some of the basic elements of Hindu marriage custom in the wedding. For more information follow these links for or more detail on Hindu and several other regional Indian wedding ceremonies including Bengali, Gujarati, Kashmiri and more. An Indian wedding provides a rich tapestry of color and vibrant images that lend themselves to create striking wedding photographs.

Hindu wedding:

Hindu marriages signify customs, rituals and elaborate celebrations and are full of fun and frolic. Indian weddings speak volumes of the rich culture, heritage and ethnicity of the country. Every region follows its own traditions customs and rituals for the wedding. A wedding is an important religious ceremony in the Hindu religion and one of the most important of the sixteen Hindu sanskars or sacraments. It is not only establishing the bond between two people, but also the bond between two families. A Hindu marriage symbolizes not just coming together of two individuals, but also the bonding of understanding, commitment, mutual love, oneness and spiritual growth. Traditionally, Hindu marriage is much more than just celebration and fun. It demands sacrifice, companionship, dedication, and devotion from both the partners. Hindu weddings are usually hosted by the bride’s parents and take place at a common place, decided by both the bride and groom’s family Hindu weddings extend up to four to five days. The ceremonies practiced are essentially divided into three parts – pre wedding customs, wedding day ceremony and post wedding rituals. The rituals and customs performed in each of the three phases have a deep significance and meaning. The pre wedding celebrations mainly includes engagement, sangeet, mehendi, haldi and tilak. Coming to the wedding day ceremonies, it involves different traditional rituals, each having its own meaning and role. One of the most important rituals of Hindu wedding is the seven rounds or sapta padi taken together, around the sacred fire, by the bride and the groom, while the seven vows or promise are read by the priest or purohit. no Hindu marriage is deemed complete unless in the presence of the Sacred Fire, seven encirclements have been made around it by the bride and the groom together.

Before the Wedding:

There are several important ceremonies that take place in the days before the wedding.

Misri – the ring ceremony:

Many Indian weddings are arranged, though love matches are possible. Once parents have made a match, the engagement is celebrated with a misri, or ring, ceremony. The couple exchanges rings and garlands and becomes promised to one another. This will take place several days before the wedding and calls for seven married women to draw the sign of Lord Ganesha in red powder spread above a bowl of rock sugar. Prayers are said by you and your fiancée and your parents and you will exchange flowered garlands and gold rings with your beloved in the presence of your priest. The groom’s parents will place in your lap a basket of fruit or other gifts to welcome you then feed your family misri – rock sugar – confirming the engagement and promising a life full of sweetness ahead. Months before the wedding, the engagement ceremony called Mangni occurs. In this rite, the couple is blessed and given gifts of jewelry and clothing by their new family. where both the families exchange gifts and good luck charms. An auspicious day is then decided according to the astrological charts and horoscopes of the prospective bride and groom for the marriage day. Customarily, the couple does not choose their wedding day. Instead, a religious family member or mystic is supposed to calculate the luckiest day by considering factors like astrology, birth dates and phases of the moon. If the date falls on a week day that is inconvenient for a wedding, many couples will hold two wedding ceremonies. The first on the actual day of importance with close family, and then a larger celebration that weekend.


The next ceremony is the Mehendi. Two or three days before the wedding, the bride is painted with Mehndi. In this ritual, an artist uses henna to draw beautiful designs on the skin of the bride and her female friends and family members. The bride’s hands and feet are also painted for good luck, and as protection from evil. These designs typically last for a few weeks, and it is customary for family members to take care of all work so the bride’s Mehndi will last as long as possible. It’s believed that you can tell how well a newlywed is being treated by her in-laws by how long it takes for the Mehndi to wear off. A tradition which is supposed to contain some portents is the application of henna. An old saying by Hindes dictates that the level of respect a new bride’s in-laws are according her is related to the amount of time it takes the henna to wear off.

The Sangeet

Another important pre-wedding ritual is the Sangeet, where all the family and friends of the bride and groom celebrate by singing and dancing and partying all night. There is singing, dancing, food and drink, like a wedding reception the day before the wedding.. A large event, the Sangeet is most popular among Punjabis, Marwaris and Gujaratis, although most of the regions today also practice this ritual. This event takes place two or three days before a wedding.

The Wedding Day

The Ceremony The traditional Hindu wedding customs were formed more than 35 centuries ago. Each ceremony, each occasion, and each ritual has a deep philosophical meaning and purpose. The act of marriage is the onset of Grihastha (the householder stage of life). Hindus believe that this is one of the most challenging and difficult stage of the four stages of life. Traditional Hindu wedding ceremonies can last for days and involve much ritual in Sanskrit, which is the most ancient surviving language.

Choosing the Wedding Day:

In ancient times in India all the aspects and life situation were governed by astrology. People of all classes, whether King or poor, used to consult astrologers both in good and bad times. In today’s modern world, people do not give a lot of importance to astrology. But for many people, important decision in life, like wedding ceremony, name ceremony, etc., are finalized after consulting astrologers. Astrologers or priests prepare kundalis of both the bride and groom to match their kundalis. Kundali’s have three important elements; they are time of birth, date of birth and place of birth. After matching both the bride and groom’s astrology charts, astrologers choose a suitable date for their marriage keeping their planet positions in mind.


Traditionally, the bride wears a red or red and white sari. The sari should be draped modestly over the bride hair. Covering the head during a wedding is a mark of respect to the deities worshipped and the elders present. The ghunghat, which is equivalent to the veil of the Christian bride, is worn by the bride. It may vary in length, covering not only the head but the shoulders, back and almost down to the waistline. The draping may be done is several ways. The chunri, worn with a ghaghra choli, is tucked in at the waist on one end, pleated beautifully around the body and draped delicately over one shoulder. An odhnis is usually made of silk with a tie dye pattern. The center of the veil is used as a head covering the ends taken carefully under the arms and tucked inside the neck of the abho or chorio (the upper garment). The groom wears a kafni (long shirt extending to the knees) with pijamo (leggings) or dhoti (sort of an overgrown loincloth). The groom might also wear a turban and a sword with his wedding outfit.


The Hindu weddings are supposed to take place outside, on the earth, under a canopy known as a mandap. Seating beneath the mandap is usually on the ground or on carpets. The four pillars holding up the mandap signify the four parents who helped to raise the new couple. One rule which shouldn’t be broken is that anyone who enters the mandap or wedding canopy must have on sandals or slip-on shoes which can be easily removed. In addition, it’s a good idea to avoid wearing much black. Placed centrally under the mandap is a dish containing the most important part of an Indian Wedding called ‘The Sacred Fire.’ The fire can be small or large, depending on the preference of the couple, but it is the most significant cultural aspect to the wedding.

Within the mandap setting there are many different elements that are used during the ceremony. For example rice, The rice represents prosperity, but is also said to establish dominance in the marriage. The person who throws the rice first will be the most authoritative in the marriage. Another example is fruits and sweets. From time immemorial, Hindus have worshipped trees and have considered all flora and fauna as sacred. Trees, plants, leaves, flowers and fruit have an esteemed position in the religion and culture of India. So much so that no religious function, especially an Indian matrimonial ceremony, is considered complete without the presence of at least one of the above. Leaves like the betel, banana, mango, Neem, tulsi, durva are intrinsically woven into the tapestry of Indian weddings.

The betel leaf enjoys the pride of place among all the accessories of a Hindu wedding. The betel leaf denotes freshness and prosperity. Betel leaves or the tambool, which comprises betel leaf, areca nut and lime, marks the beginnings of all auspicious events. In Indian matrimonial alliances are sealed by exchanging the tambool. Invitations for an Indian marriage are distributed with tambool forming an important part of the invite. The betel is associated with the Trinity, Brahma, Vishnu and Shiva. Brahma: arecanut, Vishnu: betel leaf, and Shiva: lime.

As another example, in Hindu wedding ceremonies you can find lots of coconuts, flowers, and powders. A coconut is placed over the opening of a pot, representing a womb. Coconut flowers are auspicious symbols and are fixtures at Hindu and Buddhist weddings and other important occasions. In Kerala, coconut flowers must be present during a marriage ceremony. The flowers are inserted into a barrel of unhusked rice (paddy) and placed within sight of the wedding ceremony. Similarly in Sri Lanka coconut flowers, standing in brass urns, are placed in prominent positions.

Between all sects of Hinduism, there is always a statue of the elephant god, Ganesha. This is used as well as fruits, coconuts, etc. Ganesha’s head symbolizes the soul, and his human body symbolizes the supreme reality of human existence. Ganesha’s upper right hand holds a goad, which helps him propel mankind forward on the eternal path and remove obstacles from the way. The noose in Ganesha’s left hand is a gentle implement to capture all difficulties. The broken tusk that Ganesha holds like a pen in his lower right hand is a symbol of sacrifice, which he broke for writing the Mahabharata. The rosary in his other hand suggests that the pursuit of knowledge should be continuous. The laddoo (sweet) he holds in his trunk indicates that one must discover the sweetness of the Atman. His fan-like ears convey that he is all ears to our petition. The snake that runs round his waist represents energy in all forms. His vehicle is a mouse known as Mooshika, Mooshikam, Minjur, or Akhu, and this symbolizes the intellect, small enough to find out any secret in the most remote of places. It also signifies his humility, that he espouses the company of one of the smaller creatures.


Before the ceremony, the groom assembles his wedding party at a nearby location. In one hand he holds a coconut, and in the other the bride’s garland. The groom and his party then proceed to the mandap, often in a very ceremonious manner, like on the back of a horse or even an elephant. He is headed by a display of fireworks and the rhythm of the dhol drum. Sometimes, he also carries a sword. The groom’s procession, known as the Baraat, is deeply significant and is often as extravagent as possible, often including dancers and musicians. The members of this procession are known as ‘baraatis.’

Dwaar Pooja:

At the entrance of the venue and small ritual will be performed by the bride’s father to bless the groom. The bride’s mother will then escort the groom inside the venue and to the ceremony area and inside the mandap. Following the groom, the rest of the baraat will make their way into the venue. There are many version of this custom, between Punjabi, Rajput, and others. However, the importance of the Baraat to the wedding is universal. After arriving, he is received by the bride’s mother who applies kumkum to his forehead. The kumkum represents the tilak ritual which is a portent of auspiciousness. He then bows to the bride’s mother and gives her the coconut. the Bride’s mother welcomes the Groom. She performs the ceremony to ward off the evil spirits he may have encountered on the way to the wedding. He is then asked to break the Saapath (the earthen clay pot) symbolizing his strength and virility

The Bridal Entrance:

The bride is then escorted by her maternal uncle to the Mandap. Often, she is carried to the altar on a beautifully decorated throne by her wedding party.


The bride is seated behind a white curtain, a symbol of traditional barriers. After the bride’s father thanks the Gods, the curtain is removed.

After the curtain is removed, the couple exchange flower garlands called Varmala. The bride places her garland around the groom’s neck, and vice versa. This is done as a gesture of mutual acceptance, and as a pledge to respect each other as partners. The flower garlands are made up of cotton threads, are bestowed upon the Bride and the Groom to proclaim acceptance of each other. Once she joins the groom under the Mandap, the marriage ceremony begins with the couple seated and facing each other. While chanting, the Brahmin will place an auspicious red coloured cotton cord around the couple’s shoulders to protect them from evil influences and to demonstrate the bond between them.

Ganesha Puja (Invocation to the Lord Ganesha & Other Gods):

The wedding ceremony begins with the worship of Lord Ganesha, the remover of all obstacles. The ceremonial offerings are also made to Varuna, Lord of the Seas. A copper vessel containing water, flowers, and coconut is worshipped. This is followed by the worship of the Lords of five basic elements of creation, namely fire, earth, water, air, and light. The most important part of the ceremony is the Kanya Daan (Giving away of the Bride): The bride’s parents indicate their approval of the groom to the audience, and the couple acknowledge their commitment to one another. The Bride’s parents invoke the Gods and tell the Groom, “On this Holy Occasion, we will give our daughter who is a symbol of Lakshmi, Goddess of Prosperity, to you in the presence of the Sacred Fire, friends, and relatives.” Now, the bride’s parents wash the feet of the couple as a sign of respect and a symbol of their blessing.

Hasta Melap (Joining of the Hands):

The couple is united by placing the Bride’s right hand in the Groom’s right hand. The ends of the scarves worn by the Bride and the Groom are then tied together signifying unity. The couple vows to remember the Divine; to look upon others with sympathy, love, and compassion; to be strong and righteous; and to show goodwill, respect, and affection to each other’s families. This ritual symbolizes the joining of hands of man and wife to begin a new partnership. The bride’s father places the right hand of his daughter in the right hand of the groom. These symbolize the acceptance of his responsibility to love, respect, and protect her. The bride’s parents give her away with gifts and blessings. All other family members of the bride also give her away with gifts and blessings. The father of the bride places her hand in the groom’s hand, and requests that he accept her as an equal partner. After he does this, he makes three promises in the presence of the sacred fire: To be fair, to support his family materially, and to love his wife. This ceremony is known as Kanyadaan, or ‘the giving away of the bride.’


The couple then invokes Agni, the god of fire. Together, the couple offers rice into the fire. This is called Rajaham, or the ‘Sacrifice to the Sacred Fire.’ Herbs, sugar, rice, oil, and other sacraments are offered to the fire. Once it is prepared, the seven encirclements, the most important part of the wedding ritual can be performed. The sacred fire is evoked by making offerings into the havan (holy fire). Prayers are made to various gods who control the elements, so that these two souls can be reunited properly and that they have an abundance of these elements in their correct proportions—to fulfil a peaceful life. In the center of the mandap, or wedding altar, a fire is kindled. A Hindu marriage is a sacrament, not a contract. To signify the viability of the ceremony, fire is kept as a witness and offerings are made. The bride’s brother gives three fistfuls of puffed rice to the bride as a wish for his sister’s happy marriage. Each time, the bride offers the rice to the fire. no Hindu marriage is deemed complete unless in the presence of the Sacred Fire, and seven encirclements have been made around it by the bride and the groom together.


The satphere, or “seven circumambulations” is one of the most important parts of the wedding. The couple walks seven rounds around the sacred fire and pledges another vow during each rotation. It is believed that this ritual is watched by Agnideva, the God of Fire, and that vows made in the presence of the sacred fire are considered unbreakable. The seven vows, or pheras hold much religious significance:

  • 1. The couple prays to God for food and nourishment.
  • 2. They pray for a healthy and prosperous life, and ask for physical and mental strength.
  • 3. The gods are asked to bless the couple with spiritual strength.
  • 4. The couple asks for attainment of happiness and harmony through mutual love, and a joyous life together.
  • 5. They pray for the welfare of all living entities in the universe, and for noble children.
  • 6. They ask for bountiful seasons, and promises to share their joys and sorrows.
  • 7. In the last, they pray for a life of understanding, loyalty, unity and companionship for themselves and for the peace of the universe.

In traditional Hindu practice, the bride and groom do not kiss at this time, but it is an increasingly common American addition to the ceremony.

Gath Bandhan:

In this ritual, the bride and groom literally “tie the knot” by wrapping together sashes worn on their clothing. The couple makes vows to establish a happy relationship and household for each other. The priest ties the end of the groom’s dhoti or the kurta; whichever he is wearing, with that of the bride’s saree, the knot signifying the sacred wedlock.


Now, the parents of the couple bless the newlyweds by spraying them with rose water, or dipping a rose in water and sprinkling it over their heads. The groom applies a red powder called Sindhoor, to the bride’s forehead and welcomes her as his life partner.

Ashirwad (Blessings):

The couple seeks blessings from the Gods, parents, and elderly relatives by bowing to their feet. Married women from the family bless the bride by whispering “Akhanda Saubhagyawati Bhav” (blessing for abiding marital happiness) in the Bride’s right ear.

Shilarohan and Laaja Homa:

Shilarohan is climbing over a stone/rock by the bride which symbolises her willingness and strength to overcome difficulties in pursuit of her duties. Both gently walk around the sacred fire four times. The bride leads three times and the fourth time the groom leads. He is reminded of his responsibilities. The couple join their hands into which the bride’s brothers pour some barley, which is offered to the fire, symbolising that they all will jointly work for the welfare of the society. The husband marks the parting in his wife’s hair with red kumkum powder for the first time. This is called ‘sindoor’ and is a distinctive mark of a married Hindu woman. The sindur is applied by pinching the thumb and ring fingers together.

Mangal Sutra:

The groom places a necklace of black and gold beads on the bride, a custom that came about relatively recently. This symbolizes the eternal bond that unites the bride in marriage to the groom. Traditionally, the goddess Laxmi is invoked in the mangal sutra and the bride is said to receive blessings throughout her marriage.

Anna Prashan:

The last symbolic rite is to offer food to the sacred fire. Having done so, the bride and the groom feed each other. The couple is now married!


Close family will form a semi-circle and bless the newly wed couple.

Stealing and hiding of groom’s shoes:

One tradition in Indian weddings is the stealing and hiding of groom’s shoes on the day of his wedding by the bride’s sisters and cousins. The groom has to remove the shoes during the ceremony, so the bride’s family makes wacky plans to steal the shoe and hide it. On the other hand, the groom’s family tries to protect the shoe. Usually the bridesmaids successfully steal the shoes, as it is a matter of their pride and honour. Once the ceremony is over and the groom needs his shoes back, he and his family start searching for it. The bridesmaids surround him and ask for a huge sum of money which the groom pays them and gets his shoes back. Much of these customs owe their origin to the legends surrounding the Radha-Krishna romance and to an extent, the Shiva-Parvati myth. They are seen as the ideal romantic couples of all time and through various – folk songs, dance and recitations from the scriptures, their shared love is sought to be invested in a married couple. At another level though, these rituals serve the essential social purpose of bonding families together and strengthening amity within communities. Weddings also help in breaking the ice between the sexes so far as the guests are concerned. So in this atmosphere surcharged with gaiety, fun and laughter, there are the common pranks the bridesmaids play such as hiding the shoes of the groom, challenging the male guests to a singing session (usually antakshari) and throwing up teasers to the unsuspecting.

Vidaai (Good-bye):

Vidaai, a post wedding ritual, marks the end of the marriage ceremony. It is a very emotional episode for everyone, as the bride seeks leave from her parents, family members, friends and relatives and goes to her husband’s home to start a new life with new dreams and hopes. It is a new beginning for her, as she bids farewell to her parents and goes to build a new life with her husband and his family. She leaves her parent’s home with tears of joy and sorrow – joy, because she is starting a new life and sorrow, because she has to leave her parents for it.

The bride’s father gives her hand to her husband and tells him to take care and protect her loving daughter. The ritual of vidaai is marked as one of the most emotional aspect of the wedding festivities. It is the formal departure of the bride from her parents’ home. According to the Hindu tradition, as the bride steps out of the house, she throws back five handfuls of rice over her head, in a way that it falls on the person standing behind her, as a symbol of prosperity and wealth. The custom of throwing rice signifies that the bride is paying back or returning, whatever her parents have given her in all these years of her stay with them and wishes for prosperity to always flourish in the house she is leaving behind. Just when the bride and the groom sit in the car and its starts, the bride’s brothers and cousins push the car from behind, signifying that they have given her a push ahead to start a new life with her husband. After the last car starts, money is thrown on the road to ward away evil. It is common for the bride’s younger sister to accompany her to her new home to give her moral support. During the vidai ceremony the bride is accompanied by her parents and associates, which lead her outside the doorstep of the house. Before crossing the doorstep, she throws back three handfuls of rice and coins over her head, into the house. This symbolizes that the bride is repaying her parents for all that they have given her so far. Moreover, in India girls are considered the manifestation of Goddess Lakshmi, the deity of wealth and prosperity. Thus, while leaving, the bride practices the ritual to keep wealth and prosperity intact in her home. This is the most emotional moment of the complete marriage ceremony as the bride’s family and friends bids her a teary farewell. With this they also bless her for a happy married life. The father of the bride takes her to the car or the Doli and hands her to the groom. After this he requests that he care for her and forgive her for any mistakes, guiding her constantly through their marital journey.

The occasion often presents mixed feelings as everybody is happy for the bride as she is going to start her new life. But at the same time people often cry, thinking about the bride is no longer just a part of their family. The pain of missing her and the joy of marrying her can overwhelm the heart of her parents.

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the wedding photography highlights of Tabby & Asif – amazing muslim wedding at Hampton Court House

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from the hearth by Tabby & ASif

the wedding album highlights of Tabby & Asif

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